Greek sex date
The most common male-male relationship was paiderasteia, a socially-acknowledged institution in which a mature male (erastēs, the active lover) bonded with or mentored a teen-aged youth Greek art and literature portray these relationships as sometimes erotic or sexual, or sometimes idealized, educational, non-consummated, or non-sexual.A distinctive feature of Greek male-male eros was its occurrence within a military setting, as with the Theban Band, The death of Hyacinthus is also frequently referenced as a pederastic myth.In his classic study Greek Homosexuality, Kenneth Dover points out that the English nouns "a homosexual" and "a heterosexual" have no equivalent in the ancient Greek language.There was no concept in ancient Greece equivalent to the modern conception of "sexual preference"; it was assumed that a person would have both hetero- and homosexual responses at different times.Although the wholesale importation of a Greek model would be socially improper, licence grecque seems to refer only to licentious homosexual conduct, in contrast to the moderate behavior between men in the perfect friendship.When Montaigne chooses to introduce his essay on friendship with recourse to the Greek model, "homosexuality's role as trope is more important than its status as actual male-male desire or act ...In Archaic and classical Greece, paiderasteia had been a formal social relationship between freeborn males; taken out of context and refashioned as the luxury product of a conquered people, pederasty came to express roles based on domination and exploitation.Effeminacy or a lack of discipline in managing one's sexual attraction to another male threatened a man's "Roman-ness" and thus might be disparaged as "Eastern" or "Greek." Fears that Greek models might "corrupt" traditional Roman social codes (the mos maiorum) seem to have prompted a vaguely documented law (Lex Scantinia) that attempted to regulate aspects of homosexual relationships between freeborn males and to protect Roman youth from older men emulating Greek customs of pederasty.
During the Renaissance, artists such as Leonardo da Vinci and Michelangelo used Plato's philosophy as inspiration for some of their greatest works."Greek love," or the cultural model of Greek pederasty in ancient Rome, is a "topos or literary game" that "never stops being Greek in the Roman imagination", an erotic pose to be distinguished from the varieties of real-world sexuality among individuals.